Recreate iconic landmarks like the Rote Rathaus (Red City Hall) and the Alexanderplatz as they appeared in the late 1920s. 4. Production Status
The series utilizes a unique "triangular" creative leadership. Tykwer, Borries, and Handloegten wrote and directed the episodes collectively, sharing a unified vision rather than dividing the work into standalone segments. According to the Goethe-Institut , this approach ensured a consistent "neo-noir" aesthetic across all seasons. 2. Historical Reconstruction Making-of: Babylon Berlin
The title "Babylon" was chosen by the filmmakers to mirror the biblical description of a city defined by immorality and glamour, which they felt perfectly described Weimar-era Berlin . 3. Visual Effects (VFX) Recreate iconic landmarks like the Rote Rathaus (Red
To supplement the physical sets, the production relied heavily on digital work. As seen in VFX breakdowns from Rise FX, digital technology was used to: Extend physical street sets into endless urban horizons. Remove modern infrastructure from historical locations. Tykwer, Borries, and Handloegten wrote and directed the